Shepherding the Vulnerable

Lessons from Renee Good’s Tragic End

Renee Good’s last moments.

In the raw aftermath of tragedy, we often reach for simple narratives-heroes and villains, victims and oppressors. But sometimes, the truth demands we look deeper, into the fragile spaces where human weakness meets manipulative forces. Kira Davis’s Substack essay, “The Face of Renee Good, and What It Taught Me” (published January 13, 2026), did that for me. It sharpened my focus on Renee Nicole Good not as a martyr or a monster, but as a stark embodiment of the weak-a woman whose life and death expose the dangers of unbreakable ideological filters, the predation of manipulators, and the urgent duty of shepherds to protect their flock.

Renee Nicole Good, a 37-year-old mother of three, poet, and writer, was fatally shot by ICE agent Jonathan Ross on January 7, 2026, in south Minneapolis. Cellphone and bodycam footage shows her maroon Honda Pilot positioned perpendicularly in the street, blocking agents during a deportation operation. Her wife, Rebecca Good, is seen confronting officers, urging Renee with cries of “Drive, baby! Drive! Drive!” as the situation escalated. Good accelerated toward officers, prompting the shots that ended her life.

The progressive narrative swiftly elevated her as an innocent “Good Samaritan” and legal observer resisting injustice, a caring neighbor protecting the marginalized. Conservative analyses, including Davis’s, portrayed her actions as deliberate, aggressive interference with lawful enforcement targeting convicted criminals. Davis refuses both extremes, instead seeing tragedy in a “broken woman” whose final photo-frozen in interaction with ICE officers-reveals “medicated eyes,” “emptiness and rage and disappointment,” and a lack of clarity. As she writes:

“As I stared at her face, frozen in some of its final moments, and as my mind took on the filter of the left, her features began to soften. Her mouth in this frame goes from smarmy to questioning. Her eyes go from crazed to inquisitive. Her hand placement goes from aggressive to defensive. She turns from a soldier to a scared mother.”

Davis diagnoses this softening as the work of a thick “NEVER TRUMP filter” that romanticizes chaos and mutes intuition, turning evident aggression into victimhood. Her central insight is unflinching:

“There is an element in this country we cannot help, cannot persuade. It requires changing the filters in their hearts and we don’t have access to that. Their filters will change when the rewards change. That is how it goes with the weak-minded.”

This “weak-minded” isn’t an insult; it’s a description of incentive-dependent, peripheral thinkers (as described in the Elaboration Likelihood Model of persuasion)-those whose convictions, shaped by emotional payoffs, group belonging, or outrage highs, resist rational, evidence-based change. They pivot only when external realities shift: consequences, loss, or new social incentives. In Good’s case, her filters-perhaps romanticized resistance, a scarcity mindset, or attraction to chaos-distorted the moment until the ultimate “reward change”: death. Even her wife, Becca, exemplified a dominant-yet-fragile dynamic: urging escalation, then expressing shock at “real bullets” and claiming the tragedy was “all her fault.”

This weakness isn’t isolated; it’s a societal threat, especially in the West where democracies empower the masses. As the aphorism from G. Michael Hopf’s novel Those Who Remain warns:

“Hard times create strong men. Strong men create good times. Good times create weak men. And weak men create hard times.”

We’re in that “weak men create hard times” phase-widespread fragility breeding polarization, resentment, and chaos. The weak are easier to radicalize due to vulnerabilities like low self-esteem, identity uncertainty, and a quest for significance. They become prey for wolves: manipulators who use feigned ignorance to gaslight, derail discourse, and exploit doubt. You can’t have a genuine discussion with someone who pretends not to understand basic facts or evidence. It erodes shared reality, leaving the vulnerable in the dark, doubting their own eyes-pushing them toward extremism.

Tim Roth as Ringo (l) and Samuel L. Jackson (r) in Pulp Fiction, 1994 (Miramax).

The Pulp Fiction diner scene illustrates this dynamic powerfully. Jules Winnfield (Samuel L. Jackson), reflecting on his life as “the tyranny of evil men,” confronts the desperate robber Ringo (Tim Roth) and diagnoses:

“The truth is you’re the weak. And I’m the tyranny of evil men. But I’m tryin’, Ringo. I’m tryin’ real hard to be the shepherd.”

Jules chooses mercy, aspiring to guide and protect the vulnerable rather than exploit them. This shepherd ethic is key: We can’t rewrite hearts directly-Davis is right about those stubborn filters. But we can alter the environment, changing the rewards landscape so clinging to distortion becomes too costly.

Jesus clears the Temple

That’s where the “clearing the temple” energy comes in. From the Bible (John 2:13-17), Jesus enters the Temple courts and finds it corrupted into a marketplace, with merchants and money changers exploiting pilgrims (especially the poor). He responds with deliberate, zealous action:

The Passover of the Jews was at hand, and Jesus went up to Jerusalem. In the Temple he found those who were selling oxen and sheep and pigeons, and the money-changers sitting there. And making a whip of cords, he drove them all out of the Temple, with the sheep and oxen. And he poured out the coins of the money-changers and overturned their tables. And he told those who sold the pigeons, “Take these things away; do not make my Father’s house a house of trade.” His disciples remembered that it was written, “Zeal for your house will consume me.”

Scholars note the whip was primarily for herding animals, not striking people-Jesus addresses the dove sellers verbally, restoring the Temple as a “house of prayer.” This is protective zeal: The shepherd clears the wolves (exploiters preying on the vulnerable) so the flock can thrive. As the disciples recall (Psalm 69:9), “Zeal for your house will consume me.”

The pivot from Pulp Fiction’s aspirational shepherd to Jesus’ authoritative disruption isn’t abrupt-both embody the same archetype: mercy when possible, forceful defense when wolves threaten the weak. In Renee Good’s story, the “temple” is our shared societal space, profaned by wolves who romanticize her aggression or dehumanize her tragedy. Feigned ignorance abounds: Pretending the video doesn’t show deliberate escalation, or that consequences weren’t foreseeable. This harms the weak most-eroding their grip on reality, pushing them toward radicalization.

Because the weak deserve better than to be left in the dark with the manipulators. They deserve light. And sometimes light has to burn hot to get the job done.

Writing this column is my small act of temple-clearing: Smoking out the roaches in the woodwork by calling out the tactics brightly. “You know exactly what that means. Stop playing dumb.” “Come on. You’ve seen the video. We all have.” Expose the patterns, fan the smoke, seal the cracks-raise the costs for wolves, protect the flock. Shepherds must tend quietly-offering systems for resilience (like Scott Adams’ talent stacks: building “good enough” skills in multiple areas for antifragility)-and fight fiercely when wolves circle.

Renee Good wasn’t a villain; she was weak, her filters unshaken until tragedy struck. Her story warns us: Abandon the weak to the dark, and hard times follow. But with zeal like Jesus’, we can drive out the chaos, reclaim the temple, and let light-hot if needed-guide them toward clarity.

The weak deserve that. We all do. Let’s turn up the heat.

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James K. Bishop

James K. Bishop is a conservative writer and raconteur hailing from Texas, known for his incisive and often provocative takes on political and cultural issues. With a staunch commitment to originalist constitutional principles, he emphasizes limited government, individual liberties, and traditional American values. Active on X under the handle @James_K_Bishop, he frequently engages his audience with sharp critiques of progressive policies, media narratives, and overreaches by the federal government. His style is direct, often laced with humor and wit, which resonates strongly with his conservative followers.